In my sculpture, I am challenging myself. Coming away from the potter’s wheel to explore edges, and carve out an unexpected volume in space. I am drawing on my architectural background to build these forms from slabs, then softening the walls to suggest organic curves. The sculptures here are hollow, beginning as containers. They have been fired in an anagama kiln.  Triumph is glazed with wood ash, and shark skin shino. Fade has no glaze other than wood ash.